Posts Tagged ‘shakey graves’

SLCR #337: Shakey Graves (March 25, 2019)

March 28, 2019

We were running behind. Not late, but behind. Monday is a school night, so Mika had to wrap up around 7:00, drive home, and eat a thing so we could make it to the show for 8:00. As we made the last turn towards the Conexus Arts Centre, I wondered how many people would be there. “Judging by the number of Facebook ads for the show I’ve seen,” I said, “it might just be us.”

It wasn’t just us. But even that close to showtime, the parking lot was pretty bare. There was no line to enter, no line for the coat check, and when we ran into Rob, we learned he’d been evicted from his seat and moved to a much closer vantage point on the main floor because the call was made to close off most of the balconies. His group’s upgraded seats wound up actually being a lot better than the ones we’d chosen, though that was largely because we’d taken our customary spots at the end of Row L For Legroom; often so appreciated but on this night, overkill. There weren’t that many folks sitting in any of the rows behind us, apart from a few people at the very back. I can only assume they had plans involving drugs and/or handies.

The lowest of the balconies remained open, and while we waited for the show to start, a security guard wandered out in front of us to holler up at a balcony-dweller who had done the unthinkable and rested his drink on the ledge. I thought that maybe going up and talking to the guy would have been a more appropriate way to handle things; way less funny, though.

The opener was Cameron Neal, who played a 40-minute set of country tunes, just him and a guitar. Pleasant, hopeful, earnest. The kind of thing where you hear it and go “that was nice,” and then you try to write about it, and you come up with two sentences, stare at them for a while, check all your social media to see if anything life-changing has happened in the last ten minutes, and repeat.

We’d seen Shakey Graves a few years back opening for City and Colour and really enjoyed him; I actually liked him better than the headliner and was looking forward to seeing a full set in a smaller venue. Not that this was that small; the Arts Centre felt kind of cavernous. Maybe one-third full for the start of Neal’s set, closer to half-full by the end of the night. Split the difference and call it… five-twelfths, I suppose. It looks like he sold out every other Western Canadian stop on this tour, so maybe the venue was just too big? Shakey (Mr. Graves?) did comment repeatedly on the size of the stage itself and the amount of running around he’d have to do all night. To that end, at one point, he ran a lap just because.

He was immediately captivating, playing the first half-hour or so by himself with guitar and kick drum. The first song was Word of Mouth, a song full of advice that sounds like good advice but is actually bad advice, like all advice. He explained this mid-song. He explained many things. Eventually, he was joined by a full band, and I started to recognize a few songs off his newest album, Can’t Wake Up, from when Mika was playing it. I didn’t know that some of these songs made up a trilogy about someone named Garth Nazarth, a very interesting fact that may have been made up on the spot as he was telling us. He also played covers by Neil Young and Townes Van Zandt, who he insisted was a famous rapper.

At one point, someone asked where he got his name, and he joked “a cereal box” before telling the real story. Or what I assume was the real story, I don’t know, I wasn’t there. I also don’t know what a Shakey Graves cereal would entail. Crunchy corn caskets and crosses with marshmallow urns, with enough added sugar to give you the shakes? And when Neal returned to join Shakey in a song they’d co-written, Shakey told us to meet up with Neal in the lobby after to buy his stuff. “Where will you be?” hollered someone. A fair question. And he was going to be outside in a bear costume, apparently. I didn’t see him when we were walking to the car but we did get out of the building in good time.

It looked like everything was wrapping up and everyone stood to applaud, but Shakey was just sending the band away. He stuck around, did one last song by himself, and that was it. No encore, except it kind of was one, except he never left the stage. This seemed like a good way of avoiding the artificial feeling of an encore but also not leaving people feeling like they missed out on something.

This whole thing was a delight. Great tunes and a fun sense of humour. It deserved a bigger turnout, but the folks who were there were really into it. One dude in particular was as invested in this show as I’ve ever seen. So much standing, so much waving, so much yelling, so much insisting to the usher that she was going to love the show and become a new fan. She did give him two semi-enthusiastic thumbs up at one point but I don’t think she really enjoyed her night; at one point she walked over with her flashlight to help ensure someone made it to the bar safely and wiped the heck out in the process. The ushers need ushers. I suppose it was only a matter of time, given the numbers of people getting up and returning with drinks; a lot more of that than at most shows here. But I suppose it made them more enthusiastic, and at least they were polite; one drinker said “excuse me” so many times and so loudly while exiting her row that I initially thought she was trying to get Shakey’s attention. Maybe she needed more clarification on the bear costume situation.

• Hawksley Workman & the Calgary Philharmonic Orchestra (April 13)
• Morrissey (April 20)
• The Tea Party (April 25)
• BA Johnston (April 26)
• Foxwarren w/Hannah Cohen (May 29)
• “Weird Al” Yankovic (August 21)
• Elton John (October 1)
• Thrush Hermit (October 4)

SLCR #248: City and Colour (June 12, 2016)

June 16, 2016

We were supposed to go see Meat Loaf at Mosaic Place in Moose Jaw on Saturday night. I had clearly underestimated the demand for Meat Loaf in 2016 – the show sold out in about 10 minutes. That’s approximately 5,000 tickets. It was easier to get tickets for the Tragically Hip’s summer (farewell?) tour – at least you can buy those from scalpers if you really want to. But if you missed out on those first ten minutes of Meat Loaf ticket sales, you were out of luck. Lucky for me that Josy, possibly the biggest Meat Loaf fan there is, was on the ball. But it turned out that my stepmom really wanted to go too and all of the usual sources were dry. StubHub had nothing. Tickets posted to Kijiji sold in minutes. Remembering the George Thorogood show, I checked the Mosaic Place website daily in hopes that some last minute tickets would be released. And they were! Finally, success! I grabbed her two tickets and was very pleased with myself.

Josy and his people drove from Saskatoon to Regina, picked me up, and we hit the road for another 40 minutes to Moose Jaw. We parked the car and it occurred to me that there seemed to be a lot of people walking away from the arena. Sure enough, there were “ushers” stationed all around to let people know that the show had been postponed and would be rescheduled soon.

We picked up our tickets from Will Call anyway, then wandered back out and chatted with one of the ushers. He told us that the show was called off ten minutes before doors were set to open and that Meat Loaf had been taken from the arena on a stretcher. Later on, a Twitter search showed someone claiming that Meat Loaf had been transported to Regina and was hospitalized there. I have no idea if any of this is true. One rumour said he suffered a heart attack and was in intensive care. Another said that it was nothing serious, he was resting in a hotel and would resume the tour as soon as he’s feeling up to it.

As I’m writing this (five days after Meat Loaf and four after City and Colour), there’s been no real update on Meat’s health, but I guess he’s doing okay. The Calgary show on Monday night was also postponed, but he’s supposed to play Edmonton tonight, and thus far, it looks like that show is going ahead. As for our show, I just got an email announcing that it has been rescheduled for Saturday, July 2. Good for Meat, but not great for me – we’re away and I won’t be able to go.

Having said that, I was looking up reviews of earlier Meat Loaf shows on this tour, and hoo-boy, “unkind” is putting it mildly. Lots of “worst concert I’ve ever seen,” “time to hang it up,” “we walked out after three songs,” and disturbingly, a number of comments about how Meat looked like he was in pain, couldn’t walk, seemed ready to collapse. So maybe I dodged a bullet here. Whatever, I hope he puts on a great show for Josy and that the complainers on the internet don’t reflect the views of the majority. And now I’m going to rush through the actual concert review that I’m supposed to be working on because I’ve rewritten this section nearly daily as new info has come out and I really have no need for a Meat Loaf-themed text file that only I get to see.

So. City and Colour. Yep. I don’t really know anything about him, apart from his name (Dallas Green) and that he’s also the lead singer of Alexisonfire. You may note that “Dallas” and “green” are a city and a colour, respectively. I am ashamed at how long I’ve known about City and Colour without putting that together. I had to be told.

We were supposed to see him some years back at the Regina Folk Festival, but he got rained out. I wasn’t all that disappointed – Buck 65 was the big draw for me that evening, and Buck wrapped up right before they called it a night – but I still feel good whenever I get caught up on a missed show like this. Later this summer, Sam Roberts – the other headliner who got rained out of a Folk Festival we attended – will be playing there again. If all goes well, that’s two names checked off the missed list. What if they become my new favourite singers, and I almost missed out on seeing them?

I mean, I know the odds aren’t great. There can only be one favourite at a time. And I bought Mika two City and Colour CDs at the CJTR sale last year and haven’t actually managed to listen to them yet, which doesn’t mean that there’s anything wrong with them, but my motivation isn’t there. She was excited to go to this, and I will go to pretty much anything; that’s how I looked at this evening.

We left the house fairly early, as a few days ago, I got an email saying that there wasn’t going to be any on-site parking at the arena because they were already set up for the Farm Progress Show. Welcome to Saskatchewan. The email suggested parking downtown and walking. This seemed like a decent idea until we actually got downtown and realized just how far the arena still was. We ultimately parked at the field house – still a bit of a hike, but not that bad. We were much closer to the arena than we were to our proposed downtown parking space. This was all well and good until we had to climb over a fallen chain link fence while ducking under barbed wire to get onto the grounds. “And we only looked somewhat old in doing so,” Mika said.

Yeah, this was very much a show where I was the creepy old guy in the corner. I’m pretty sure the average age of the attendees was about half of my own. I wasn’t expecting anything else, but I definitely felt it strongly – I got too used to casino and Folk Festival shows.

Anyway, once inside, we walked a loop around the arena, past the one merch table that had probably a couple hundred people in line. I got the merch that counted – an excessively salty soft pretzel and a Coke Zero with ice crystals in it. The day was officially a success.

We hiked up to our seats in the bottom row of the upper level. Not too bad. A good view of the stage, decent leg room, minimal people walking past us, and a place to rest our drinks.

Shakey Graves was the opener, and okay, you know how everyone who comes to Regina for the first time has to joke about it rhyming with vagina? Well, I have never seen someone take such delight in doing so. In general, the locals seem to be tiring of it – the other week, Werewolves Beware heard crickets after busting out the tired old “city that rhymes with fun” line – but Shakey Graves was so pleased with this situation that we all just let him get away with it.

It helped that he was really fun. He did the first few songs by himself and then brought out a band. The sound wasn’t ideal – I found the vocals really hard to make out, and it didn’t help that I was completely unfamiliar with him – but there was great energy and he was very entertaining. The crowd really seemed to enjoy him and I think he’d be sensational in a smaller venue.

Before the show and during the intermission, I was texting with Feely, who referenced the City and Colour song Save Your Scissors. Sure, he did it in a way intended to make me feel super old, but he reminded me that the song existed and, therefore, I actually did know one City and Colour song. Needless to say, he didn’t play it. “He” bring City and Colour, and not Feely.

He did play a few things where I thought “hey, I think I’ve heard this before.” And they were fine. This was all fine, I guess. I don’t know. Mika said she liked it. That’s good. I thought it was all kind of dull, but a pleasant dull. It went by quickly and never dragged, and I never thought he or his band were bad in any way, but it was never really that interesting to me.

It’s weird. “Dull” is usually much more my speed than hers.

For the first song of the encore, they played Bobcaygeon as a tribute to ailing Tragically Hip frontman Gord Downie, which was really nice, but even that lacked something. The sentiment was there and appreciated, but given the circumstances, it felt to me like there should have been more emotion to it. I don’t know. Needed more oomph.

Which is kind of how I felt about the whole thing, really. Needed more oomph. Though it seemed I was in the minority. It looked to me like everyone else enjoyed themselves. I was clearly not the target audience for City and Colour and he just wasn’t my thing. At least Shakey Graves was a delightful discovery.

• Northcote w/Jordan Klassen and Josiah (June 22)
• BA Johnston w/Partner (June 24)
• Gateway Festival w/Sloan, Corb Lund, Limblifter, Shotgun Jimmie, Bry Webb, more (July 22)
• The Tragically Hip (August 1)
• Regina Folk Festival w/The Head and The Heart, Ricky Skaggs & Kentucky Thunder, Sam Roberts Band, The Mavericks, Bettye LaVette, The Cat Empire, The Strumbellas, Frazey Ford, more (August 5-7)
• “Weird Al” Yankovic (August 14)
• Billy Bob Thornton & The Boxmasters (September 6)
• Dolly Parton (September 13)
• Prozzäk (September 22)
• Hayden (September 29)
• Fred Eaglesmith (October 1)
• Basia Bulat (October 5)
• I Mother Earth (October 8)