Posts Tagged ‘bengough’

SLCR #315: Gateway Festival (July 28, 2018)

August 15, 2018

This show could have waited a few days and I’d have been fine with it. As far as festivals go, it had one of the most James-specific lineups I’d ever seen, so I should have been more excited, but it had been a really long week. I got home on time on Monday evening. Worked late and got home after 9:00 on Tuesday, Wednesday, and Thursday. Only left an hour late on Friday to begin my two-week vacation (woo) but spent Friday night mowing the lawn, cleaning house, and doing all the other stuff I’d been putting off before my in-laws’ flight got in at midnight. Mika had worked late all week too. We needed groceries and I wound up buying bananas and milk at Shoppers Drug Mart at 11:30pm, which I think is a nice summary of how that week went.

All of which was great preparation for driving two hours to Bengough, watching a bunch of bands, and driving two hours back after midnight. I was actually feeling better on Saturday than I was expecting; sleeping in until 12:30 helped.

Soon enough, tickets in hand and lawnchairs in trunk, we were on the road. The drive was uneventful, which doesn’t give me anything to talk about but that’s still probably for the best. I mean, it’s fun to tell the story of how I hit a duck in the ass with the car on the way home from Bengough a few years ago, but I’d still have preferred to not hit the duck.

I had promised Mika we’d make it there in time for Library Voices’ set at 5:15 but that was before I was slow and lazy in the morning. And afternoon. And pretty much always. But I was still pretty sure that we’d make it, and they started their first song as we were walking into the grounds. Close enough. We found a place to park our lawn chairs and sat back for the show. Library Voices are one of the bigger bands to come out of Regina in the past decade, and yet, I don’t know that I’ve ever seen a proper concert by them, just short festival sets where they never play the few songs I know. Needless to say, that didn’t change here, but this was a quick fun hit of power-pop that started our festival experience off on a good note.

Onto the parade of mostly-local people I don’t really know much about and don’t have much to say about! Country singer Ellen Froese was up next with a mix of covers and originals. I enjoyed her set and she’s local, so I imagine I’ll see her again soon. She was followed by Seth Anderson. No band – just him and a guitar. He had a good sense of humour, playing off the sounds of soundcheck happening on the other stage during his set. (He may also have dropped a few f-bombs during one of his songs and it looked like maybe someone suggested that he please stop doing so, since we hadn’t hit the drunkening hour yet – but I digress.) I liked this too. Would see again.

Next was Zachary Lucky. Country singer. Deep voice. Probably something I’d really dig but I didn’t get to see much of him. I decided that I should get something to eat before the Karpinka Brothers, which seemed like a solid enough plan but it went awry. First I went to the merch stand to take a peek. Didn’t get anything this year. Next, I made the arduous trek back to the car – like, almost three or four whole minutes each way, some sort of death march – so I could get my glasses. I have regular glasses and sunglasses and whichever pair is not currently on my head is inevitably forgotten in the car. Finally, I had to survey the food options, settling on a food truck that made a waffle hashbrown sandwich. Basically, you get bacon and cheese inside two waffles made out of hashbrowns. It needed an egg for breakfast sandwich perfection but this was still pretty great and I’m going to try making hashbrowns like that here sometime. This, however, was not the speediest process – or possibly this truck had some efficiency issues – anyway, by the time I was back at my chair, the Karpinka Brothers were nearly done.

I went to high school with one of the Karpinkas (probably both, really, but Shawn was in my grade). I’ve run into Shawn a few times since high school. He’s always been nice and I’m always happy to see him and that’s not something I’d say about 95% of my graduating class. Before this, though, I’d never actually seen them play (apart from maybe a few songs in a Regina Folk Festival teaser set, but I’m not even 100% certain about that and it’s way too late for me to be fact-checking now). I still can’t say I really saw them, but I could hear them from the food truck of eternal wait and they sounded really fun. I’ll have to make it a priority to get to one of their shows soon.

I saw Megan Nash earlier this year and was looking forward to her set. She’s one of my favourite local musicians. She had a strict 30-minute set so she wasn’t as talkative as last time (or maybe it’s that she wasn’t all hopped up on cold medication), but this was still really good.

Onto the folks you may have heard of! First up was former Weakerthans lead singer John K. Samson, a self-described “lefty talk-singer from Winnipeg.” It sounded like there were some Winnipegers near us who were very happy to learn where he was from. Then he opened with Weakerthans classic One Great City!, which says “The Guess Who sucked, the Jets were lousy anyway” and has a singalong chorus of “I hate Winnipeg.” I’d say it’s still kind of a love letter to the city but said Winnipegers seemed to disagree. Anyway, I’ve seen John K. as a solo act before and he was all about playing his own songs and very few Weakerthans songs, but we got the opposite here. There were a handful of his solo songs, including Post-Doc Blues and Vampire Alberta Blues (neither of which are particularly bluesy), but most were Weakerthans favourites. A personal highlight was hearing Samson play all three songs about Virtute the cat in a row. Looking up the lyrics of Virtute at Rest, I saw on Samson’s website that the human from those songs is the same person in the song 17th Street Treatment Centre, which makes perfect sense but still blew my mind a little. As an aside, he played that one too. And he also played Aside.

Samson’s set started at 8:15 and in retrospect, when it was done, we should have moved our chairs from the beer garden side of the park to the all-ages side. 8:00pm is the magic hour where the hipsters and families disappear and the people who’ve been drinking at their campsites all day show up. Plus then we’d be nice and close to the main stage but still comfortably on our respective butts. Though I suppose we’d have missed out on some… colourful characters.

When the Gateway Festival released the initial teaser poster for the event, all of the musicians’ names were blacked out but some were done in such a way that you could kinda make a guess at who they were. I was 99% sure one was Kathleen Edwards. This got me hyped and I may have spent several days meticulously poring over the poster like it was the Zapruder film. Mika and I saw Kathleen Edwards at the Exchange many years ago and it was a great great show. Moreover, a few years ago, she essentially retired from music to open up a coffee shop called Quitter’s in Stittsville, Ontario.

If you think I’m going to make a joke about Stittsville, think again. I’m far too mature for that. Plus I live in Regina, so, you know. Plus Kathleen Edwards made all those jokes already.

ANYWAY my point is that while Edwards has done a handful of concerts since her self-imposed retirement, I really didn’t think she’d ever come out this way again. And here she was! This was exciting enough that we actually left our chairs and went down to the main stage. Edwards was in fine form and seemed to be relaxed and really enjoying herself. There was a nice mix of songs spanning her whole career (Sidecars was a personal favourite) and one new one she wrote about turning 40. After Empty Threat, she asked if there were any Americans there since we were less than an hour from the border, which led to a story about opening for Bob Dylan in Montana. She also dedicated the song Hockey Skates to everyone affected by the Humboldt Broncos tragedy earlier this year. Kathleen Edwards is a treasure.

Then we were back to the side stages for Elliott BROOD and as ever, I’ll play along with the spelling once. I should listen to these guys more but I always seem to forget how much I like them. Their energy was especially welcome coming after a series of folkier artists. They’re coming back to Regina in the fall and I was thinking about skipping out since I’ve seen them a few times in the past few years but this was fun enough that I might just reconsider.

Somewhere in here I went to use the bathroom and found that apart from the portapotties, there were also two urinals, of sorts. Big covered tanks with funnels sticking out of them. As they say, when in Rome, pee in a funnel and then go find some hand sanitizer.

Finally, we had the last addition to the festival lineup, recent inductee to the Canadian Music Hall of Fame, and former Barenaked Lady, Steven Page. I’d seen one of his solo shows with Mary a few years ago and really enjoyed it, so when they added him to an already stacked festival, I was stoked. Much like with Samson, there were more Barenaked Ladies songs than Page solo songs, including Jane, Enid, The Old Apartment, Break Your Heart, It’s All Been Done, Alcohol, and I Live With It Every Day. He closed with Brian Wilson, which you had to expect. For solo stuff, he played Surprise Surprise, Manchild, Linda Ronstadt in the 70s, and A New Shore, among others.

There was also a bit where he did some happy strumming on his guitar and Page and the rest of his band took turns singing bits of different popular songs that fit the music. And while I’m sure this is a bit he does often, I suspect the snippet of Virtute the Cat Explains Her Departure that Page sang was specifically because Samson was there. I mean, it’s not a happy song and it didn’t fit the music, but I know Page likes it and had previously recorded it with the Art of Time Ensemble.

Page didn’t play If I Had $1,000,000, much to the frustration of some of the folks around us who were expecting a Barenaked Ladies greatest hits show. I don’t know who wrote what in Barenaked Ladies, but I suspect Page only played stuff that he wrote (or at least co-wrote). Tough break for anyone who was expecting the chimpanzee song. But hey, he still played a lot of hits. Possibly too many for some folks’ tastes – Page was about 20 minutes over his allotted time when it looked like someone notified him it was time to wrap it up. Even then, after Brian Wilson, as we were starting to leave, just as I overheard a festival volunteer say “there hasn’t been an encore all weekend, there won’t be one now,” Page and his band came back out and played Call and Answer. The Badland Country Band was set to go on at midnight and it was nearing 12:30 and a handful of folks were growing impatient. One of the aforementioned colourful characters tried to start a “BADLAND BADLAND” chant but it was as successful as you might expect. “Sorry guys, we’ll be quick,” said Page to the Badlands when he came back out. I’m sure he meant it, but Call and Answer is a six-minute song and I cackled. I dug this whole thing, though to be fair, going over time? Not cool. But I’ll chalk it up to miscommunication somewhere along the way, mostly because we weren’t staying around for the Badland Country Band anyway. As we walked back to the car, we heard them start into a cover of You May Be Right and I’m pretty sure they messed up the words. Timing must have thrown them off.

The drive home was duckless and uneventful, which is exactly how I wanted to wrap up the day.

I should mention that the entire two-day festival was packed with musicians I like and basically consisted of one big SLCR all-star reunion show. I’m not a camping person and Bengough is a long drive from Regina – it would be pretty taxing to take in both nights if you’re going to drive home each night. So we skipped the Friday, since the organizers were kind enough to put all my nice-to-sees on Friday and my must-sees on Saturday. But seriously – Friday night had Big Sugar, Terra Lightfoot, William Prince, Belle Plaine, and Yukon Blonde (along with The Kentucky Headhunters and Chixdiggit, who I’ve never seen before). In Bengough! Population: 337! This whole festival is kind of ridiculous!

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SLCR #251: Gateway Festival (July 22, 2016)

July 29, 2016

Hey, so this was fun. There’s a tiny town in Saskatchewan called Bengough and they host a music festival every summer and we’ve never been but now we’ve been! And I suppose I could stop right there but then you’d miss out on the murdering part.

I was actually ready to murder before we ever left Regina. The day before the festival, Mika’s friend Shannon came to visit and she complained bitterly about the difficulty of navigating the Regina traffic with all the summer construction. And while I was sure it was bad, I figured she was exaggerating. She was not. Not even close. She was being kind. Getting gas, avoiding the worst road, actually getting out of town, all of those things were much more difficult and infuriating than they needed to be.

It was so bad that when we initially stopped for gas and Mika asked if I was going to get a snack, I said “No. Too angry.” But then I saw the hot dog-flavoured Pringles. The flavour scientists have worked their magic yet again. You can really taste the wiener.

The actual drive was smooth an uneventful once we got out of town. It was a fine way to spend an evening and we weren’t even there yet. I almost never speed to any real degree but I went 130 km/h pretty much the whole way. We listened to podcasts and tunes, and the GPS recovered from its miserable performance on our recent drive into Calgary where it tried to make us cross a river without the use of a bridge.

They had lots of signs up to let us know where to go, and a ton of volunteers to help with the wristbands and parking. It’s a smaller festival than the local folk festival we attend every year, but it seemed really well run. Also, the wristbands were these nice cloth ones and not that waxy paper you get everywhere else.

We stopped at the campground restroom on the way into the grounds. There was a sign outside the women’s washroom advising the ladies not to have water fights in the bathrooms. Women, amirite? Though I suppose it’s worth noting that both washrooms had signs saying that you’d be “punished and banned” for putting sand or dirt in the sinks.

We found our way into the grounds and met up with Jeff and his wife. Despite the traffic woes, we got out of town earlier than I had been expecting, so we showed up in time for the end of Quinton Blair’s set. I didn’t see much of it but enjoyed what I saw. Countryish singer-songwritery stuff, with a good sense of humour when chatting between sets. That says very little!

Unlike the folk festival here, the Gateway Festival has two stages, so as soon as one act ends, the next one starts up right away with no delay. Bands alternate between the main stage and the slightly smaller stage that faces the beer gardens. It’s a pretty good system, though sometimes it results in things like Fred Penner playing to the beer gardens.

To be fair, it was still early and that section of the grounds was not yet closed off to minors. But still.

Jeff’s wife disappeared as soon as Penner started playing; we didn’t see her again until well into Limblifter’s set, when she returned with a picture of her and Fred together. This was not the first time she’d met Fred Penner. We may have a superfan on our hands. As one who is less of a Penner diehard, I took this time to get some dinner. The wiener Pringles weren’t gonna cut it. I wound up with a grilled chicken wrap that was actually pretty great. Kudos, chicken wrap stand! Mika went for a gluten-free salad from another stand; “gluten-free salad” was its actual name on the menu and maybe that should have been a red flag. The server also said something like “I don’t know what’s in it and nobody’s ordered it yet, so come back and tell me how it is!” which was equally ineffective at inspiring confidence. Mika did not go back and tell her how it was. She did tell me and Jeff – not directly, but she said “have you ever wanted to open a can of chickpeas and eat it with a spoon?” which I think says enough.

As a reward for surviving the salad (or about half of it, anyway), Mika went and got some cotton candy. I made her bring me some too. I have never eaten cotton candy while having a beard before. I did not anticipate that it would be so challenging.

I don’t know what to say about Fred Penner. He’s Fred Penner. Maybe he is a cherished part of your childhood? I’m a few years too old for that, and as he was playing, it occurred to Jeff and I that we knew very few Fred Penner songs. The first one I recognized was about sandwiches and I’m pretty sure the only reason I knew that was because he played the folk festival a few years ago. At least I think he played songs there. Mostly I remember him chastising us to pick up after ourselves.

I did eventually recognize Puff the Magic Dragon. Also, the Cat Came Back, which Penner amended with cat-themed versions of Happy Together and Hit the Road, Jack. This was not dissimilar to every song Mika ever sings, as they all have the lyrics changed to be about Carl.

The cover songs led us to talking about the recent trend of bands I see covering the Tragically Hip, and who would do it this weekend, and what songs. This turned into talk of Penner covering the Hip, and what the best (read: most inappropriate) song would be. At the risk of sounding immodest, I declare that my pick of 38 Years Old was the winner.

For the record, I heard no Hip songs at the festival (though I am hopeful that the next show will deliver at least one). But Mika and I only came to the Friday night; Jeff did report that on Saturday, Odds snuck the chorus of Poets into the end of Make You Mad.

Next up was Limblifter, which you’d have known if you read that bit up there. Ryan Dahle, who we saw with Age of Electric a few months ago, was back with his other band. Or one of them, anyway. Jeff said he might have been the only person there who knew more Limblifter songs than Sloan songs, but I bet Dahle did too. Actually, maybe not – there are a LOT of Sloan songs that Dahle might know. Me, I knew Tinfoil because heck yeah Big Shiny Tunes. Also Ariel vs. Lotus and Screwed It Up. So maybe I never listened to a whole lot of Limblifter – and somehow, I’d never managed to see them in concert before now. No time like the present, I suppose. We stood right down at the front and had a great view, and this was all quite delightful. Would see again. (I did maybe like Age of Electric better, though.)

Next up was Bry Webb of the Constantines. Formerly of the Constantines? I don’t know what they are doing nowadays. I won’t lie; I paid very little attention to this. What I heard was fine.

I think it was in here that I went looking at the stuff table. I mean, I went a few times, but was hopeful that I’d discover a copy of Sloan’s One Chord box set, as I had promised to check for Mike. No dice. No Sloan stuff at all, actually. But I did pick up two records: Corb Lund’s Counterfeit Blues, and also You Can Count on Me by the Karpinka Brothers, a band out of Saskatoon who were here hosting the side stage. I went to high school with Shawn Karpinka, and actually ran into him on the way to the merch tent. We chatted for a few minutes and it was nice to get caught up – I don’t think we’d talked in a decade. We weren’t super close friends in high school, but he was never a dick and that is higher praise than it sounds like.

I rushed the records back to the car. Luckily, the host of the main stage was asked to stall for a few minutes before Sloan began. I can only assume this was specifically to give me time to get back. So considerate! But then Sloan came out and the dude kept talking. And then it would look like he was about to stop, and then he’d talk some more. I was never able to tell if this was needlessly aggravating or hilarious trolling.

But whatever. You know it’s a festival show because of the lack of people yelling SLOOOOOOOOO-OOOOOOOOAN. Also because Sloan knows enough to know that a festival crowd doesn’t want the deep cuts – this was pretty much a greatest hits collection. No Underwhelmed, because of course there wasn’t, but there was most every other single you’d want – Money City Maniacs, The Good in Everyone, Everything You’ve Done Wrong, The Lines you Amend, The Other Man, Unkind, If it Feels Good Do It, People of the Sky, Coax Me, Losing California, The Rest of my Life, Who Taught You to Live Like That… there was more but you get it.

So yeah, in a shocker, Sloan played Sloan songs.

I don’t know what was talked about beforehand, but when the band traded off instruments and Chris Murphy got on drums, dude was determined to prove a point. I have seen him play drums before but never with this much showboating. Jeff accused him of showing off to the “cute girl” at the back of the stage, but then we figured out it was actually the drummer from Limblifter. He’s got some nice long blonde hair, but I don’t know if I’d say “cute.” Maybe just not my type.

I’d have to read old reviews but I’d have to think that this wasn’t the best Sloan show I’ve seen – if nothing else, there seemed to be sound issues where it was hard to hear the vocals every time they switched who was singing – but I don’t remember getting their songs so doggedly stuck in my head before. The past week in my brain has been pretty much non-stop Maniacs or California or Everyone or Underwhelmed and they didn’t even play Underwhelmed, I just like it.

Once they wrapped up, I was off to the side stage for Shotgun Jimmie. Mika described Jimmie as “if Joel Plaskett fronted a BA Johnston tribute band” and I love that description and you have no idea how badly I want to actually see this happen. Shotgun Jimmie is someone I know very little about. Every time I hear one of his songs, I think “this is a dude I could really dig if I gave him half a chance” and then somehow I never remember to do so. Gotta change that. This was great fun. He opened with Late Last Year, basically the only song of his that I could actually say I know, and then played his new song Join the Band, making it the second time in a few months I’ve heard someone sing “experience Regina.” I enjoyed it all, though I did duck out before the last song or two in order to get a good spot for Corb Lund, a move that was a mistake in several ways.

First off, Corb Lund might be my #1 reason to constantly quote Sloan: “It’s not the band I hate, it’s their fans.” The casino show earlier this year wasn’t too bad, but there have been a few times where the drunken yahoo assholery in the audience has been too much for me. Although I can maybe forgive it this time due to the excellence that happened when a drunk girl staggered over to near where we were and slurred (not to us) “is this the party zone?”

“No?” said Jeff.

“It’s the standing and listening respectfully zone,” added Mika.

The drunk girl stumbled away, saying “I hate it when old people are rude.”

Died. I’m dead now. That killed me and I am reporting back from the afterlife. I hate it when old people are rude. Oh my god. This was the best the best the best the best. I am bad at coming up with titles and I have never liked “Stupid Little Concert Reviews” so now I want to rename all of these to “When Old People are Rude.” When Old People are Rude, Volume CCLI: the Gateway Festival.

This is where you say “shut up and get to the music” and I WOULD say “I hate it when old people are rude” but you have a point in that I am not talking about music BUT I have no more music to talk about. The dark night sky was seeing more and more lightning, so they made the call to delay Corb’s set. As the lightning got worse, Jeff and his wife (and their friends – they had friends there too! I never mentioned them before but they were there) the hell was I talking about? Oh, right. All those people left.

Then I made a plan. Let’s take the chairs to the car now – since we weren’t planning on staying after Corb anyway – so either we can then leave, or we can go back, listen to Corb, and then have an easier time leaving later. So we did. Chairs to car. They’re still in the car now, a week later, in fact, because I am bad at simple human tasks. But we sat there for a bit as the lightning got worse and the thunder got louder. I decided that the show was likely not going to happen and so we left.

Corb did play. I don’t know how long the delay was. Jeff said the grounds were bone dry the next day. This amazed me, as the drive home took us through the worst rainstorm I’ve ever driven in, and it lasted almost the whole way. At one point, I had to pull over. I made up for my 130 km/h earlier by going 50 km/h for long stretches. It all averages out. That’s the law. The law of averages.

The rain brought out the animals – I saw a badger, three deer, a raccoon, some frogs, and oddly, ducks. The water had pooled on the road, and we drove by a duck just sitting in the water, seemingly disinterested in the big loud metal headlight machine that went whipping past it. We remarked on the stupidity of this duck. Then we saw no fewer than three other ducks at various points, all sitting in road puddles. Two of them are probably still ducks to this day. One of them took its sweet time getting out of my way, and I didn’t feel like swerving into either the oncoming car or the ditch, so the duck bounced off our bumper. Sorry, duck. I mean, it was your own fault for being an idiot, but I guess all ducks are stupid so you couldn’t help that. At least the rain washed off any pieces of you that got stuck to the car.

So yeah, it started with a bad drive getting out of town and ended with a bad drive all the way back, but everything in between was pretty great. The festival site was nice, there were decent food options (skip the chickpea salad), the bands were good, the weather was nice (right up until it wasn’t, anyway), would go again. And there was a whole other day of fun that we missed out on. 21 bands, just on the Saturday alone. Lots of local artists, as well as Odds, Mo Kenney, Chixdiggit, the Stampeders, and way more. (Hey Jeff, how was it?) Mika and I aren’t camping people so to go both nights means a lot of driving, but we had a good time so we’ll see what the lineup is like next year. There are too many ducks anyway.

UPCOMING CONCERTS
• The Tragically Hip (August 1)
• Regina Folk Festival w/The Head and The Heart, Ricky Skaggs & Kentucky Thunder, Sam Roberts Band, The Mavericks, Bettye LaVette, The Cat Empire, The Strumbellas, Frazey Ford, more (August 5-7)
• “Weird Al” Yankovic (August 14)
• Billy Bob Thornton & The Boxmasters (September 6)
• Dolly Parton (September 13)
• Prozzäk (September 22)
• Hayden (September 29)
• Fred Eaglesmith (October 1)
• Basia Bulat (October 5)
• I Mother Earth (October 8)