Posts Tagged ‘andy shauf’

SLCR #303: Andy Shauf (November 18, 2017)

November 28, 2017

Until this show, I liked Andy Shauf, but I never really got Andy Shauf.

For those who don’t know the name, he’s a singer-songwriter from here in Regina. The first time we saw him was in 2013, when he opened for Mo Kenney at a half-full Artful Dodger. By that point, he was already well known around these parts. We later saw him at the 2015 Regina Folk Festival and then again opening for Whitehorse in 2016. In all cases, I thought he was good and very likable and I wanted him to do well, but there was always something that didn’t quite work for me – he’s real quiet, and I sometimes found him hard to hear and that everything kinda sounded the same. He’s one of many people where I thought I could really get into him if only I spent some time with his albums, but we all know I’ll talk about that but likely never do it.

I did think he was best suited to small, intimate venues. This time, he was headlining at the Exchange, which seemed to be the ideal place. That it was a sold-out hometown show could only help.

I suspect this will be the last time we can see Shauf at a place this small. Even now, I’m guessing he only played the Exchange because he used to work there. They said he was the only person ever to serve as caretaker and also headline a show there. This was the second last stop on his tour; the only remaining date was in Toronto’s Massey Hall. When I looked, you could only buy single seats for that one.

Watching his rise has really been something. When Hawksley Workman discovered Shauf and praised him, I wasn’t that surprised. But to see Reggie Watts do the same thing, it really illustrated how far Shauf was going.

Several days before they show, they announced that Steph Cameron would be opening. This was a delightful surprise. We saw her at the very same 2015 Regina Folk Festival. As opposed to all the other Regina Folk Festivals that year. I really liked her short set and later bought her album, Sad-Eyed Lonesome Lady. She was back in Regina only a few weeks ago, opening for Little Miss Higgins, but we were already booked that night, so this was a treat.

Doors opened at 8:00, which really isn’t that late, but it feels like it is if you’re used to the early-starting concerts the Folk Festival puts on. We got in at around 8:30 and had lots of time to stand around and critique the fashion choices of today’s youth. Tye Dillinger’s haircut was a standout, as was a jacket that read SAME SHIT, DIFFERENT DAY in large letters on the back. One girl was there in short shorts; I question her wisdom but admire her commitment when it’s -20 with the windchill.

Someone from the Board of Directors for the Exchange welcomed us to the show, since this was one of a series of concerts marking their 30th anniversary. She seemed nervous. Didn’t need to be. She did fine!

Cameron started around 9:00 and played for about a half-hour, mostly material from her brand new album, Daybreak Over Jackson Street, about her time living in one of Vancouver’s worst neighbourhoods. I didn’t even know she had a new album, so that was another nice surprise. Or maybe a continuation of the first one. She did a fine job despite a crowd that left something to be desired. Even the folks at the very front were talking and looking at their phones. By now, I should just have a boilerplate paragraph that covers this. You know the deal. If you’re going to do that, why don’t you just leave? Or not show up in the first place? There are lots of places that won’t charge you $25/person cover to stand around and be a dick. But standing dicks notwithstanding, she was real good. Last time I saw her, my verdict was “would see again” and that hasn’t changed. Even if she didn’t play the one song Mika knew.

Speaking of standing dicks, we had about 45 minutes of standing around time before Shauf and band took the stage. I won’t lie to you; I was ready to leave well before this point. The standing, the inattentive crowd, the heat of a packed, sold-out venue, and the fact that I’d never been super into Shauf before were all combining to kill my enthusiasm for the evening, such as it was.

Armed with a full band – including TWO clarinetists, as one does – Shauf returned to his hometown if not quite a conquering hero, at least well on his way. And this was where it all came together for me. Great sound in the venue combined with a crowd that was surprisingly quiet and respectful to create the perfect atmosphere to listen to Shauf’s lyrics. Hometown Hero and Wendell Walker became new favourites for me, but I enjoyed all of it.

Shauf’s stage presence is quite reserved. He’s not someone who will ever put on shows described as electrifying – they’re for listening, not for dancing. Throughout this review, I kept looking for the right place to put the term “low-key” since it kind of applies everywhere. But he does display a subtle sense of humour when talking to the crowd which breaks things up a little. Every time I’ve seen him, he’s asked the audience if they have any questions. This time, it was something about Star Trek. I liked it better last time when someone yelled “what do you have against horses?”

But that was the only part of the show that wasn’t quite as good as before. It’s telling that I liked the show at all, given the mood I was in before it began, but this was fantastic. It took me a while – I’m late to the party, perhaps – but I’m finally on the Andy Shauf bandwagon. Better get on now, before he takes over the world so quietly that nobody even notices.


SLCR #228: Whitehorse (January 22, 2016)

January 28, 2016


SLCR #220: Regina Folk Festival (August 7-9, 2015)

August 10, 2015

8:17 a.m.: Can I write an entire concert review on my phone? While the festival is going on? No. That would be dumb. But I can do everything but the conclusion and the final editing on my phone, and maybe this thing won’t take three weeks to get posted.

Here’s what we all need to know about this year’s festival:

  • Sinéad O’Connor was scheduled to headline, but cancelled a few weeks out, leaving the festival scrambling for a replacement. They got Blind Boys of Alabama, who I’m sure will be good, but I was really looking forward to the bizarre novelty of seeing Sinéad O’Connor singing in a park in downtown Regina after being introduced by a shitty children’s entertainer. PHOTO OP PHOTO OP PHOTO OP
  • I am most looking forward to seeing Bahamas, Jenny Lewis, Blue Rodeo, Basia Bulat, Andy Shauf, and the Karpinka Brothers (one of whom I went to high school with)
  • I don’t know what a Vance Joy is but I gather he was a big “get”
  • I need to remember to put in the bullets for these here bullet points
  • Kettle corn is rad

5:20 p.m.: We are in our usual chairs in our usual spots. The grass is damp from days of rain, but it’s not swamplike as I was expecting so I’ll take it. Too many wasps around, though.

Probably should have charged my phone this afternoon.

Expected attendees: Mark and Arlette, Other James, Glenn and Shelan, Colin, and surely some cameos from work and Toastmasters folks.

Mika wants me to tell you that she carried both chairs from the car to the entrance line and that I am very thankful.

5:58 p.m.: I went straight to the park from work and I finally managed to take my bag to the car. Already bought a Bahamas record (Pink Strat). You know, since I had to put stuff in the car and all, it only made sense to do some early shopping.

Ran into Other James and made a joke about his predilection for snarking at people to keep the walkway clear. I can’t make too much fun; I already did some of that too. Plus he was kind enough to murder a wasp with his bare hands for us.

The host is Jeffery Straker. His mic is too loud but he seems fine otherwise. Energetic and charismatic.

6:52 p.m.: Got rained on. Am cold and damp. Not bringing a jacket was a poor choice.

Forgot to mention that the line to get in was much more organized this year. So, kudos! I like to think it was all because of my perpetual whining in previous years.

First band was The Dead South, a local bluegrass four-piece. Played all originals, as far as I know. They were real good! Would see again. There was one very loud superfan down in front and he was a nice added bonus.

Danny Olliver is playing a teaser set right now. I’ve seen him before and liked him too. Successful evening so far.

Good sound for the music. I still think the volume is turned up a bit high for the talky parts though.

I find that on the phone, I feel justified in saying very little about each individual act. I trust this will continue. Also, I have to scroll all the way to the bottom of the text file every time I open this. Minor irritant.

SO many babies in ear protectors. The one nearest us has the best sweater. I want it in my size.

Alysha Brilla up next.

7:57 p.m.: If I go to jail for murdering the loudass stupid unfunny fucker behind me, know it was deliberate and enjoyed and I would happily do it again.

Until then, I’ll get you caught up. Alysha Brilla seems like a very nice person. Very positive and earnest. Almost aggressively so. Her music wasn’t really my thing, though. Upbeat pop with a horn section and a keyboard too. After a while, we each left for food. Mika got Afghani and I went for Indian. It was lovely but eating curry in the wind might have rendered this shirt splattered and unwearable for work. I hope not. I like it.

I came back with dinner as Brilla got people to cheer for equality. Would have been awkward if they didn’t, I guess.

Little Criminals’ teaser set (as we speak) is pretty good. A local two-piece, guitar and violin, both singing. I really want the joke about them winning a Kenaston Grammy to be secretly, amazingly true.

Basia Bulat is up next. She once opened for a friend of a friend’s band at Amigo’s, which seemed odd at the time and downright insane now. Will I finally learn how to pronounce her name?

8:17 p.m.: “basha boo-la,” apparently

9:04 p.m.: Nope, “boo-lot.”

She was quite good but it was just her and whatever instrument she was playing at any time (guitar, keyboard, Autoharp). It sounded a little sparse for this big park. Would have been great in a more intimate setting but I was finding it awful hard to remain attentive. Was still good though.

Have chatted with Other James, Mark, and Colin so far. Waved at Arlette and Dan. Saw Paul and David and one of my former neighbours. None of those names mean anything to you.

4:06 p.m.: The problem with my phone concert review plan is not the battery (it held out) or the rain (we waited it out), it’s that it gets chilly at night and I was not about to bring my hands out from under my blanket until it was time to leave. If I didn’t even spend time with my one true love (kettle corn), I’m not about to take time to write to you. Sorry, but you should never have expected otherwise. Anyway, I’m playing catch-up on the computer now.

So yeah, the guy behind me was a giant d-bag. He was only there to see the Sheepdogs, which he said repeatedly and loudly. Actually, he said everything repeatedly and loudly, including his ace-in-the-hole #1 joke: that there were a lot of people at the festival who look like the guy from Coldplay. He said this one over and over and was very proud of himself every time. “I think he thinks that’s what hipsters listen to,” said Mika, who added that she didn’t see a lot of guys who looked like Chris Martin unless you loosened the definition to encompass “men with t-shirts, jeans, and haircuts.”

The dude immediately to Mika’s left was giving the loud guy a run for his money in the obnoxious department. A stumbling slobbering drunk who once went fifteen whole minutes without visiting the beer gardens, this dude would not stay seated for any length of time, so he was always falling into people (literally). And when he was in his chair, he was always kneeing/elbowing/leaning on someone. Usually Mika, though he did try to break my chair at one point when gravity got the best of him. I texted Mark about my murderin’ plans and he graciously offered the use of his shovel. That’s what friends are for!

Bahamas is one of my favourite guys, but I don’t have a ton to say about his set. It was real good and he played most of his bigger songs (no Hockey Teeth, but pretty much anything else you’d expect), though I didn’t know the D’Angelo cover. He said that Regina has a very nice Hudson’s Bay store, which may have been the biggest lie ever told. He didn’t talk a lot, though, which is a bit of a shame. I know he had limited time (it felt like his hour flew by) but his stories are always delightful. And if you’re wondering what Jason Tait is doing in his post-Weakerthans career, he’s drumming with Bahamas. And presumably doing lots of other stuff too, that dude was always busy.

Steph Cameron played a teaser set before Bahamas and I liked her well enough. Would see again. Her one song, Sad-Eyed Lonesome Lady, seemed really familiar to me; not sure where I would have heard it before. Colter Wall played a teaser set after Bahamas and I thought he was decent, though it didn’t help that there were folks onstage setting up for the Sheepdogs while he was playing. I expect he’ll be in a ton of future reviews; it does seem like this kid is playing all over the place these days. I’m sure his last name has nothing to do with anything.

Finally, the evening ended with the Sheepdogs, who I could not care less about. They got a ton of hype in their/my hometown of Saskatoon for winning a contest to get themselves on the cover of Rolling Stone. I have heard a bit of their music and it sure is music, alright. 70s-inspired rock that I’m just not interested in. Plus it doesn’t help that I’ve noticed a distinct correlation between people who are really into the Sheepdogs and people who could die in a ditch as far as I am concerned. It’s not 1:1 but there’s something there that’s beyond coincidental. We stuck around for three or four songs and called it a night. Mark and Arlette did the same. Actually, there seemed to be a significant post-Bahamas exodus.

And now I need to put on some proper pants and find a jacket and head back out for Day Two.

7:08 p.m.: Son of a bitch of a phone crashed and died and ate a paragraph. Paragraphs are time consuming on this thing!

ANYWAY. Before I was so rudely interrupted, I was saying that the theme of the night thus far has been distant brushes with fame. The first act was Birds of Chicago, one of whom is Mika’s cousin’s cousin, or something to that effect. They were followed by the Karpinka Brothers, and as I mentioned, I went to high school with one of them (Shawn). We weren’t close pals, but I remember him being a decent human being, which put him far above most people there, myself included. I think the last time I talked to him was probably a decade ago at one of these here folk festivals.

I thought Birds of Chicago were pretty great, continuing a trend of really enjoying the first band of the evening. The pressure’s on for tomorrow, Andy Shauf! I don’t know how I’d describe them, because I am bad at my self-assigned job, but they were quite enjoyable. Would see again.

The Karpinkas were two guys with guitars and sounded like two guys with guitars. Nice harmonies. I’d say that I’ll think about coming down for their full band show tomorrow morning, but I suspect that seems like a better idea right now than it will when I’m laying in bed tomorrow.

Cécile Doo-Kingué is playing now and is singing about an ass whipping so I should probably listen.

7:57 p.m.: I got Thai pork skewers and injured myself on a skewer 😦

Aside from that, I’m enjoying The Mariachi Ghost’s teaser set. They put “mariachi” right in their name, saving me from having to describe them to you. How kind!

Zarqa Nawaz from Little Mosque is our host. She’s a little stiff but not nearly as loud as Straker was, so take your pick. And while I was writing that sentence, she disappeared? It was like she stopped mid-introduction and got raptured and now Vox Sambou is playing. Either that or I got so into writing this that I lost time. Either way, time to join the Guilty Remnant.

Sambou is in Nomadic Massive, who I really liked two years ago. I didn’t know this until just now, so that’s a delightful surprise.

10:34 p.m.: Did you guys know that Jenny Lewis ruuuuuuuuules? Best set of the festival so far. Great voice great band great songs the best. Mika thought I only knew one song but I knew THREE like some sort of G D music expert (Portions For Foxes, One of the Guys, Rise Up With Fists). But they were all great. Must get albums. Hopefully Mika already has them?

I asked and she’s checking.

Yay, she’s buying the newest album so I don’t have to!

They sent a bunch of giant balloons into the crowd and Lewis said “balloons are so fun!” and that’s a bigger lie than saying our Bay store isn’t a dump. Though to be fair, everyone in the Boogie Zone seemed to enjoy them.

She also said something like “We’re going to play a new song for you, it’s called ‘Girl on Girl'” and a voice from behind me said, curmudgeonly, “I don’t approve,” and I didn’t see who said it so I can’t say with 100% certainty that it was a big name in local politics. But 99% certainty? Sure, I’m good with that. Was he joking? I don’t know. He didn’t sound like it but speaking as a guy who is often taken seriously when not meant that way, I’ll give him the benefit of the doubt. Some of us just have the male version of resting bitchface. (And the song didn’t even mean it in THAT way.)

Whoever that guy was, he also really enjoyed Jeffery Straker’s teaser set. So if he wasn’t kidding, well…

Also they hauled some screaming crying drunk lady out of here and she was fighting and then sobbing and hollering and it was some kind of scene. I had no idea Jenny Lewis attracted such a rough crowd.

Vox Sambou was really good too. Super energetic. And like I said, Jeffery Straker played a teaser set and he was pretty good. I have also decided that he was the better emcee of the two nights.

I still haven’t had any kettle corn. I don’t even really feel like any. I got a popcorn ball instead. Is something wrong with me? I find this confusing and frightening. Should I go to the library and get a book to explain these weird feelings?

Mike Edel is playing right now and he’s pretty good! Singer songwriter stuff, two guitars and a violinist.

Blue Rodeo is coming up next. I suspect they will play some songs I know and some I don’t, and they’ll all be good. I know how this goes wait wait OMG wait I mean… THIS ISN’T MY FIRST RODEO ahahahaha nailed it

1:32 a.m.: Home. I was right about Blue Rodeo but also I was wrong in that they were waaaaay better than I was expecting. If you have only ever heard them on CD or the radio, you’re missing out. They played a greatest hits set, but I thought Diamond Mine was their best song, though I don’t know if I’d ever heard it before. Certainly not often if I have.

The crowd loved them, singing the entire first verse and chorus of Hasn’t Hit Me Yet with no vocal accompaniment from the band. I think that happened the last time I saw them too. Maybe they were this great then too and I’ve just forgotten? Will need to reread my old review. I forget things. A few weeks ago I was going through old reviews and discovered that Mika and I saw the Mountain Goats. They were opening for the New Pornographers. I have zero recollection of this – when I found the review, I swore loudly in surprise – but my review says I liked them, so that’s good. I hope they come back sometime.

[Okay, so I re-read that old review, and I thought Blue Rodeo was way better this time out. Though last time they had guest vocalists in Cuff The Duke, Sarah Slean, and Amy Millan – and the fans sang Hasn’t Hit Me Yet that time too.]

Mika just asked if I am working on my review right now. I think she’s making fun of me, but she’s watching a taped football game where we already know who wins. I mean, I don’t think anyone’s told her who wins, but it is the Riders. So, y’know, you know. But despite me knowing the result, her enthusiasm is making this exciting. But, you know, also heartbreaking. She still has hope. Poor girl.

But Blue Rodeo! Wonderful. The one-two of them and Jenny Lewis was sensational. This would be one of the better nights in my RFF history. We’ll see if tomorrow can compare. If we even go.

5:43 p.m.: We’re back. The line to get in snaked all the way down Scarth Street to Pat’s Patio. Bonkers. They kept it moving real well, though.

For next year, they do need to make a longer playlist for the stretch before the shows. I have heard Bahamas’ Lost In The Light, Steph Cameron’s Sad-Eyed Lonesome Lady, and Alysha Brilla’s Immigrant at least 10 times each. They’re all good songs, but mix it up maybe?

6:46 p.m.: I’d seen Andy Shauf before, but not with a full band. I thought he was really good, but very quiet for the size of the park. Another set that was a little hard to focus on, but would have been fantastic in a smaller venue.

Our host is Kirby Wirchenko, who seems to have hit the sweet spot between Straker and Nawaz, in that he’s confident and energetic, but still relaxed, all without being painfully loud. No children’s acts as hosts this year? A treat!

Veronique Poulin (aka Vaero) is playing a teaser set right now. The schedule for the rest of the night is Lisa Leblanc, George Leach (teaser), Geomungo Factory, Malika Tirolien (teaser), Blind Boys of Alabama, Kim Harris (teaser), and Vance Joy. I mention all this now because I feel like I’m about to half-ass the evening with not much to say or interest in saying it. We’ll see if I’m right.

Vaero’s stuff seems nice. Pretty. French.

7:16 p.m.: And then she plays two songs in English. Gotta make me a liar. And now Lisa Leblanc is killing it – guitar, banjo, and drums, singing in French and English and French again (#gaston). There are always people milling around the park and the food/shopping area, but after the first notes, Mika said “now watch everyone come streaming back in.” This rules and I’d rather listen to it than talk to you so bye

7:43 p.m.: Her band just played Ace of Spades and it was the best. THE BEST.

7:47 p.m.: I think she asploded her guitar. Her last song was supposed to have an outro but she rocked her guitar to death so they were just done. She got a standing ovation. That was fantastic and I am so glad we came tonight. Now to do some iTunes shopping since she sold out at the merch tent. RULED RULED RULED

8:35 p.m.: In line for kettle corn, mostly out of tradition and obligation. Geomungo Factory is playing instrumental South Korean music which is lovely but hard to pay attention to. Anyone following Leblanc would have problems, I think. Though George Leach’s teaser was really good – the guy’s a great guitarist.

8:52 p.m.: I got chocolate-dipped cheesecake and bought Mika some kettle corn. I tried some and it’s great as always, but I’m just not feeling it this year. I say that knowing I will surely down the remainder of the bag before bed.

The host runs the Broadway Theatre in Saskatoon, and he just told us Bahamas is playing there on November 19. They’re making the public announcement tomorrow. If I get my act together and post this all quick like, I can scoop them on the Internet, breaking the news to my fives of readers!

Malika Tirolien is playing piano and singing and it’s lovely.

9:59 p.m.: Blind Boys of Alabama were amazing. I suspect this is not the first time someone has held this bold opinion. I can’t imagine Sinéad O’Connor would have been as good or received such a great reaction. People LOVED these guys. Even the hipster looking dork with his mustache and dumb sweater like the guy from Coldplay.

The festival’s artistic director is talking now. Did I win the 50/50? No? Well hell dammit anyway.

10:25 p.m.: Holy hell so much teen girl screeching for Vance Joy. So high pitched.

11:57 p.m.: Home now. We lasted halfway through Vance Joy. He was perfectly acceptable but nothing to write home about, either. The shrieking teens would disagree. To listen to them, you’d think every song he played was a #1 hit. He’d say “this next song is called _____________________” and they’d go “EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE!” Every time.

All in all, a very successful festival. I left with one LP (Bahamas) and three iTunes albums (The Dead South and two Lisa Leblanc), a massive bag of kettle corn we haven’t really gotten into (but the night is young), one tiny skewer scar on my upper lip, tired thumbs from a weekend of popping in and out of the Notes app on my phone, and a new appreciation for a bunch of bands. Fine work! Now we wait eight months or so to see who they announce for next year. At one point, a volunteer came around with a survey that asked (among other things) for artist suggestions. And I gave them some. So when the White Stripes shock the world by reuniting for one show only in a park in downtown Regina, well, you’re welcome.


  • Chad VanGaalen (September 24)
  • Chubby Checker & The Wildcats (September 26)
  • Ron Sexsmith (September 30)
  • Hawksley Workman (October 16)
  • Lee Harvey Osmond (November 7)

SLCR #193: Mo Kenney (September 24, 2013)

September 28, 2013

In recent reviews, I have complained about how I feel like I’m not getting into a lot new music these days. Between the increasing fragmentation of mass media, the fact that new pop music just isn’t meant for me, and my old-man reluctance to try something that I don’t already know and love, it often feels like the only new albums I hear are from my old favourites.

Luckily, Mika listens to CBC Radio 3. Last year, whenever we had to drive somewhere, she started loading up her iPhone with a few installments of their countdown show, the R3-30. It has its share of stuff that I don’t care for, but the hits-to-misses ratio is surprisingly decent. I just made a new CD for the car – because I am old and set in my ways and dang it, I enjoy my outdated technology – and close to half of it is composed of songs I first heard on the R3-30.

One of the first standouts from those podcasts was Mo Kenney’s song Déjà Vu, a song so catchy that I’ll go through the effort of adding the accents even though this is America and we speak English here. I probably first heard the song over a year ago, but I seemingly can’t make myself sick of it. It’s like pizza, which is a comparison that I’m not certain Kenney would appreciate, but I’m getting ahead of myself. Mika bought her debut album – not specifically because it was produced by Joel Plaskett, but that certainly didn’t hurt – and I really enjoyed it, so I was excited for the show. I’d say that the $10 tickets certainly didn’t hurt, but I hate reusing my clichés so close to each other.

We got to the Artful Dodger mere moments after Other James had arrived. We bought drinks and got caught up, by which I mean we mostly swapped cat stories. They climb so high and land so hard and talk so much, but my cat kills birds. Other James would not stand for such behaviour.

Other James had red wine and Mika got a rum and Coke. In my true boring fashion, I opted for a Diet Coke. They served it in this heavy clay glass that got insanely cold. I had to keep switching hands. I fell in love with this glass. People on the internet who don’t know me might think this is a weird statement. People who know me closely will think it is even weirder. I mean, I am 37 and my primary drinking glasses came from Rogers Video and had the logos of James Bond movies emblazoned on them. I am not even kidding about this. You just can’t tell because they’ve gone through the dishwasher often enough to take off most of the lead paint. Other James – because he knows everyone in the province – told me that my glass was made by Martin Tagseth, an artist from Lake Lenore. I cannot prove this to be true and some preliminary googling raises a very important issue; namely, I can’t see a restaurant or bar paying those kinds of prices considering how often glasses get smashed. However, I am gonna put this link right here in case the glass was made by Tagseth, he puts something similar up for sale someday, and a wealthy benefactor wants me to have drinkware that I can also use to kill a man:

Man. I wanted to steal the glass and Mika said “no” and I wasn’t really going to do it anyway but now that I had to relive its heft and coldness, I’m sad that I didn’t.

Our opener was Andy Shauf, a singer-songwriter from Regina. I didn’t know a whole lot about him, though I’d seen his name everywhere; it seems like he is one of those Indigo Joseph/Julia McDougall types who plays a ton of shows here and you’ll wind up seeing him every now and then, even if by accident. In voice and mannerisms, he reminded me of some sort of bizarre cross between Will Forte and my friend Colin, a comparison which means precisely nothing to anyone on Earth apart from me. And maybe Colin, if he watched Saturday Night Live a few years ago. But I don’t think he did. Anyway, I thought his songs were pretty decent, though I occasionally had a hard time making out the lyrics and I had a feeling that I might actually prefer the recorded versions. I’m currently listening to a few of his tunes on the Bandcamp page for his newest album – because apparently I’m linking to everything today – and it seems like that might be the case.

I see that his page has five tags: pop, dark, folk, Regina, and clarinet. There was, indeed, a clarinet on stage. When Mika first saw the clarinet, she was skeptical. Other James, on the other hand, was delighted. But when is he not?

Between sets, Other James spent part of the evening chatting with roller derby girls, and he also pointed out the lead singer of Library Voices in the crowd. Like I said, everyone in the province.

Mo Kenney has had two songs that did really well on the R3-30 (that I’ve heard, anyway; I tend to skip the show for weeks at a time). One thing I’ve noticed is that people who’ve heard both seem to have distinct preferences for one or the other – Sucker or Déjà Vu. I’ve already established myself as being firmly in the Déjà Vu camp, but I have a newfound appreciation for Sucker after having learned that it was written while drunk, dumped, and depressed about making pizzas for Sobey’s. It all makes sense now.

Kenney’s album has ten songs and clocks in at only about 34 minutes, so it’s not surprising that she played the whole thing. She was on her first tour with a band – a bass player and a drummer – though they left the stage for about the middle third of the set so Kenney could do some songs by herself. Like on the album, In My Lungs segued into Déjà Vu. Before playing Eden, she mentioned making a video for it with director Greg Jackson; she did not say that this was NOT the same Greg Jackson who is Georges St-Pierre’s coach, so I choose to assume that it was. This was for a contest and they won, so let’s continue with today’s linkfest:

The songs from the record were supplemented by some new songs that she’d recently written with some Swedes, as well as a cover of Joel Plaskett’s Somewhere Else. I half-thought Mika might consider this to be blasphemy, but she doesn’t have the no-covering-my-favourites rule that some of my other friends have. Kenney also played Five Years, introducing it as “the first song on a record that my dad gave me; I won’t tell you what it is.” I decided it was a Leonard Cohen song and then I googled it to make sure and haha no whoops it’s David Bowie and probably everyone on Earth knew that but it turns out I sometimes don’t know things about things at all. I suppose this is how one learns.

Kenney seemed a little nervous at times, especially when she was talking between songs. She seemed to loosen up a bit as the show went on, and she also has a dry sense of humour that I found really appealing. Mika noted that her voice seemed the strongest when she was singing other people’s songs. I’m not sure about that; maybe it’s just that most of her own songs are quieter and aren’t really designed to be belted out.

The band closed with a cover of Shakin’ All Over, which was a fun and energetic way to end a really good show. The only real negative during the evening was the crowd; there seemed to be quite a few people who either left as the show was getting going or who just weren’t interested in paying attention. I think some people were only there to see Andy Shauf (I get that; he’s local and he was good and all), and the low ticket prices probably didn’t help matters either. I’ve said before that I’d rather pay to go to a show rather than go to a free show, since the cost weeds out some of the people who aren’t really interested in being there. Maybe raising ticket prices – even $5 or so – might have kept a few not-really-interested people out but brought in as much money? Who knows how these things work.

Kenney said she was planning to stick around after the show and sell CDs, and she also said that people could just talk with her or they could “embrace.” We didn’t stay for that, since Mika already bought the album, and the Artful Dodger had been really warm (which is one reason why I loved that cold glass so much) and it seemed cruel and unfair to ask anyone to embrace me at that point. Other James hung around for a bit; I haven’t talked to him since the show, but I assume him and Mo Kenney are bestest friends now, since that’s just how he works.

• Frank Turner & The Sleeping Souls w/The Smith Street Band & Koo Koo Kanga Roo (October 22)
• Loretta Lynn (October 23)
• Herman’s Hermits (the Peter Noone version) (November 20)
• Ben Folds & Edmonton Symphony Orchestra (May 21, 2014)