SLCR #238: Metric & Death Cab for Cutie (March 28, 2016)

To be honest, I wasn’t really excited for this show. I like Metric well enough to have seen them a few times before, but their newest album just doesn’t do it for me. If something can be described as “electronic synth pop,” I think it’s a safe bet that I won’t like it.

Now someone will point out that term could be used to describe all of Metric’s music, maybe, and I like an awful lot of it, including their previous album, Synthetica. So I don’t know. All’s I know is lots of bands I like are moving toward a new sound and it’s the same sound and it’s one I don’t care for. But I like enough older Metric stuff that when Mika asked if I wanted to go, I was quick to agree – especially when she got our coveted Row L For Legroom end seats.

I didn’t know at the time that Death Cab For Cutie was also on this tour. I’ve never heard much of their stuff, and what I have hasn’t inspired me to seek out more. Just not my thing. Probably an age thing – I was too old to be paying attention when they first came along and I never bothered to make an effort. Everyone I know who likes them is five to ten years younger than me. But I know they’re a big deal and I was surprised to see that they were playing before Metric.

Really, my #1 Death Cab memory comes from the days of the Delphi boards:

Albert: (mentions “DCFC” when talking music)
someone: “What’s DCFC?”
Albert: “Death Cab For Cutie! One of my favorite bands!”
Scott: “Death Cab For Cutie! One of Albert’s favorite bands! I think they suck!”

Not that funny, but I don’t know. I’ve forgotten lots of great chattery material but that one has stuck with me since day one. Maybe that’s why I never got into Death Cab. Afraid of what Scott might think.

We got to the Conexus Arts Centre in time to enjoy our legroom for 6:45, the bizarre stated start time on the tickets. And at 6:45:01, the lights dimmed. We got three bands tonight, no time to mess around.

With the vast majority of fans not yet in attendance, the openers were Leisure Cruise. They are from Brooklyn. I know this because they said so. I know nothing else about them except their lead singer took the stage wearing a coat that appeared to be made out of fifty pounds of silver Christmas tinsel. Mika said she kind of wanted it. I will not get it for her. Carl spends too much time trying to get our attention by pulling coats down as it is.

In front of a giant screen and what appeared to be two giant white beachballs with stuff projected onto them, Leisure Cruise played electronic pop that made them a good fit as openers for Metric. Nothing I ran out to buy or anything, but it was fine. I have nothing else to say about that.

I can pretty much review Death Cab by saying that I went into their set not giving a shit about them, and I left not giving a shit about them, but they were much better than I had given them credit for. They played two songs I recognized, both about hearts. Ultimately still not my thing, but clearly very talented and the crowd loved them – they got a standing ovation and fans were really disappointed there was no encore. It was obvious that people saw them as the big stars of the evening. There wasn’t a huge number of people who left right after Death Cab were done, but there were some – and people trickled out throughout Metric’s performance.

Between sets, I went exploring and briefly ran into Mark and Other James. Mark gushed over Death Cab so maybe they’re the best and there’s just something wrong with me?

So yeah, Metric ran the risk of being upstaged by their co-headliners. When they took the stage, they almost had to beg people to stand up and get into the show. And it didn’t help that the sound seemed better for Death Cab than for Metric – they buried Emily Haines’ vocals to a degree.

But once they got going, the show was a lot of fun. The new songs worked a lot better for me in the live setting and there were lots of older songs that I knew well and enjoyed. Mika said she thought the newer material worked better than the older stuff, and I can see where she’s coming from. They mixed up the old stuff a lot – but I’d rather hear that than just note-for-note renditions of the album versions. And the staging was great – probably the best light show I’ve ever seen at a rock show. Apologies to anyone who had to sit through my Instagram flood that night – but you didn’t even get to see the confetti cannons.

Not that everything worked. Fans who bought VIP tickets were invited on stage to serve as a chorus backing the song Dreams So Real. I know that nobody buys music anymore and you’ve gotta make your money where you can. So I understand offering VIP packages where people can pay more to meet the band, watch the soundcheck, get exclusive stuff, or just get fancy parking or something. But inviting people on stage… I’m not so sure that’s a good idea. Some of those folks looked terrified. It’s an experiment that was worth trying but probably not repeating.

But that was one song in a long night of music. By and large, the show was a good time and the evening exceeded my expectations. Really, all three bands wound up better than I thought they’d be. And after twenty minutes of sitting here trying to come up with a better conclusion than that, I’m going to accept that I don’t have one and just be done with this.

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